Author Archives: Adedeji Adeyanju

Before You Release Your Next Song, Answer These Six Questions

It’s New Music Friday, and playlists are filling up with fresh releases from artistes hoping theirs will be the one people can’t stop replaying. You’ve recorded the song, approved the artwork and picked a release date. Now what? Releasing music is exciting, but getting the song out is only one part of the work. You also need to think about who will listen, how they will discover it and what happens after release day.

 

Take Ayra Starr’s Starrgirl rollout, for example. Her purple gele album cover became a trend, with fans recreating the look in their own ways, from outfits to creative artwork. The campaign gave people something to participate in and share, helping the album build conversation. It’s a good reminder that sometimes, the right idea can get people talking about your music before they have even heard it.

 

So before your song joins a future New Music Friday lineup, here are six questions worth asking yourself.

 

Who Am I Releasing This Song For?

 

“Everybody” is not an audience strategy. Think about the people most likely to connect with your sound. Where do they discover music? It could be TikTok, Audiomack, Boomplay, a DJ’s set or the speaker at a Saturday owambe. What content do they engage with? CKay’s “Love Nwantiti” was released in 2019, but it took off two years later when TikTok users turned it into a global trend. Knowing your audience helps you decide where to focus your time and promotional efforts.

 

What Is My Budget?

 

From production and artwork to distribution and promotion, costs can add up quickly. Decide what you can realistically afford and prioritise what matters most, whether that’s a strong visual, a DJ push or content for social media. You don’t have to do everything at once, but you should know where your money is going. A small budget spent wisely will do more than a big one spent everywhere.

 

Do I Own My Music?

Before release, make sure you understand who owns the master recording and the songwriting rights. If you worked with producers, songwriters or featured artists, get your agreements and royalty splits in writing. Register your songs with a collective management organisation such as MCSN so you can collect royalties when your music is played on radio, in clubs and in public spaces. Taylor Swift spent years re-recording her early albums to regain control of her music. Don’t wait until the song starts making money to clarify who owns what.

 

Is My Distribution Sorted?

Choose a distributor that suits your needs, understand its terms and submit your music three to four weeks ahead to avoid last-minute delays. That lead time also lets you pitch to editorial playlists. Spotify, for example, requires pitches at least seven days before release. Double-check your credits, artwork and release details.

 

What Is My Plan Beyond “OUT NOW”?

A release-day post is not a marketing strategy. Think about how you’ll build anticipation before the song drops and keep people interested afterwards. Snippets, pre-saves, behind-the-scenes content, creator partnerships, interviews and live performances are all options, depending on your audience and budget. The strongest rollouts give people something to join in on. Kizz Daniel’s “Buga” grew through a dance that fans and celebrities couldn’t stop recreating. If listeners can take part in your song, they’re more likely to spread it for you.

 

What Happens After Release Day?

Once your song is out, pay attention to what the numbers tell you. Which content attracts listeners? Are people saving and sharing the track? Where is your audience coming from? Wizkid’s “Essence” wasn’t positioned as the lead single from Made in Lagos, but listeners kept returning to it. That momentum led to a Justin Bieber remix and a spot in the Billboard Hot 100 top 10. Use what you learn to shape your next move. Every song can teach you something about your audience and your business.

Building a music career takes more than good songs. It means understanding your audience, protecting your work and turning attention into lasting value. For Nigerian artistes, local audiences aren’t a stepping stone; they can be the foundation.

That’s the thinking behind NECLive 2026: Home Advantage — Transforming Local Demand into Global Power. Join the conversation on 12 November at Alliance Française, Lagos.

Learn more and get your ticket at nec.ng

 

 

Acting has always been my second love – Ayo Maff on his first movie role

Ayo Maff

At NECLive 2025, Ayo Mafoluku popularly known in the music scene as Ayo Maff — revealed that acting has always been a secondary passion, now finally coming to life with his debut on the big screen. Speaking during the panel session “Funding the Creative Enterprise Ecosystem,” he shared that years of shooting music videos inspired his interest in film. “I wanted to see myself in a movie,” he said. “I was happy to take this role and embrace the opportunity.”

Moderated by Gbemi Olateru-Olagbegi, the panel explored essential considerations for creatives looking to protect and monetize their work. Ayo Maff’s story aligned with the broader discussion, which emphasized the importance of financial planning, legal protection, and risk management in building a sustainable creative career.

Ayo Maff’s transition from music to acting reflects the rising wave of multidisciplinary artists in Nigeria’s entertainment landscape. His debut marks a significant step in a growing ecosystem where musicians, actors, and filmmakers increasingly move across creative boundaries — supported by stronger financing structures, collaboration opportunities, and professional guidance.

Ayo Maff Recorded an Afrobeats Song for My Upcoming Movie — Chris Ihidero

Chris Ihidero

At NECLive 2025, filmmaker Chris Ihidero shared another highlight from his recent collaborations, revealing that Ayo Maff not only featured in his latest movie project but also recorded an Afrobeats song specifically for the film.

During his session, Ihidero expressed his admiration for Ayo Maff’s versatility and creative range, noting that the artist’s contribution added a vibrant musical layer that enriches the project’s overall storytelling.

He emphasized that partnerships like this demonstrate the powerful synergy between music and film in shaping modern African narratives and creating deeper audience engagement.

It Was an Amazing Experience Shooting With Ayo Maff — Chris Ihidero

Ayo Maff

At NECLive 2025, filmmaker Chris Ihidero reflected on one of the standout moments from his recent projects, describing his experience working with rising talent Ayo Maff as “amazing.”

Speaking during his session, Ihidero highlighted the artist’s professionalism, creativity, and energy on set — qualities that, he noted, significantly elevated the production experience.

He emphasized that collaborations like this continue to inspire his work and reinforce the value of partnering with young talents who bring fresh perspectives and authenticity to African storytelling.

‘Never Far Away’ Gained 1.2 Million Views in 6 Days — Chris Ihidero

Chris Ihidero

At NECLive 2025, filmmaker Chris Ihidero shared a major milestone for his latest project, announcing that their new film, Never Far Away, achieved 1.2 million views in just six days.

He revealed that when the film was first released on the YouTube channel, the platform had just over 500 subscribers, but following the film’s explosive reception, the channel has now grown to more than 8,000 subscribers, a testament to the film’s impact and audience appeal.

Ihidero noted that this success underscores the rising demand for compelling African storytelling and highlights the importance of quality production, strategic distribution, and understanding audience behaviour in the digital age.

The Promise I Made to Deliver 5,000 Hours of Content Per Year Will Be Achievable in 2028” — Chris Ihidero

Chris Ihidero

At NECLive 2025, filmmaker and media leader Chris Ihidero reflected on a long-standing commitment he made to his boss — to deliver 5,000 hours of content annually noting that this ambitious target will finally become achievable by 2028.

Speaking with conviction during his session, Ihidero explained that ongoing investments in infrastructure, creative talent, and production capacity are steadily shaping the systems needed to meet such a massive output goal.

He emphasized that reaching this milestone is not just about volume but about building a sustainable content ecosystem that empowers creators, strengthens distribution, and positions African storytelling for global relevance.

My Film Will Be the Most Important Film of 2026 — Chris Ihidero

Chris Ihidero

At NECLive 2025, filmmaker and storyteller Chris Ihidero made a bold declaration about his upcoming project, Aloma: Messiah Chronicles, stating that it “will be the most important film of 2026.”

In his session, Ihidero spoke passionately about the film’s vision, its cultural significance, and the depth of its narrative, emphasizing that Aloma: Messiah Chronicles is designed to challenge perspectives and spark critical conversations within and beyond the industry.

He noted that the project represents years of creative development, strategic collaboration, and a commitment to elevating African storytelling to new heights — reinforcing his belief that the film is set to make a defining impact when it is released in 2026.

The Business Side of Content Creation Is Struggling — Kola Omotosho

Kola

At NECLive 2025, Kola Omotosho, a Top 5 finalist from the just-concluded Big Brother Naija Season 10 and a leading media strategist, highlighted the financial and structural challenges facing Africa’s content industry. In his session titled “The Business Side of Content Creation Is Struggling,” Omotosho examined how monetization, funding, and sustainable business models remain critical hurdles for creators across the continent.

Drawing on his experience as both a media professional and a reality TV star with a large audience following, he emphasized the importance of professionalizing content operations and adopting innovative approaches to revenue generation.

Omotosho’s insights underscored that while creativity is abundant, bridging the gap between artistic talent and viable business structures is essential for long-term growth and global competitiveness.

We Discovered 5 Million Illegal Streams During the Last BBNaija Show — Atinuke Babatunde

Atinuke Babatunde

At NECLive 2025, Atinuke Babatunde, Head of Content at MultiChoice West Africa, revealed that MultiChoice identified 5 million illegal streams during the last season of BBNaija, one of Africa’s most popular reality shows. The season concluded with Imisi emerging as the winner.

Babatunde highlighted the challenges of content piracy in Africa’s entertainment industry, emphasizing the need for stronger measures to protect creative work and ensure that content creators and platforms are fairly compensated.

Her insight underscored the importance of enforcing intellectual property rights and the critical role of innovation and strategy in safeguarding Africa’s rapidly growing creative economy.

Multichoice to unveil something to shake the industry within a few days — Atinuke Babatunde

Atinuke Babatunde

At NECLive 2025, Atinuke Babatunde, Head of Content at MultiChoice West Africa, teased an upcoming initiative set to “shake the industry within a few days.”

Babatunde emphasized that this new development reflects MultiChoice’s commitment to innovation and supporting Africa’s creative ecosystem. Her announcement generated excitement, signaling a major shift that could redefine opportunities for creatives and stakeholders across the continent.

The reveal reinforced the idea that Africa’s entertainment industry is poised for transformative growth, with leading players like MultiChoice driving change and expanding the possibilities for creative talent.